The Focus Gallery
Join us on Friday, October 5th for the opening of Northern Cultural Expression Society's exhibition, "Bringing Cultures Together" at Arts Underground (lower level of the Hougen Centre).
A chairlift is available for those who require mobility assistance.
Exhibition on view: Friday, October 5th - Saturday, October 27th, 2018
The Northern Cultural Expressions Society is dynamic, a non-profit organization, committed to providing opportunities for young people; channelling their energy to artistic expressions and business development. Our programs are directed at Yukon First Nations students but are open to all cultures.
Darcy Tara (Mcdiarmid)
The Edge Gallery
Join us on Friday, October 5th from 5-7pm for the opening of FMR's exhibition, "Verdigris" at Arts Underground (lower level of the Hougen Centre).
A chairlift is available for those who require mobility assistance. Exhibition on view: Friday, October 5th until Saturday, October 27th.
My work is about the fundamental role of language in our experience of consciousness and external reality, and consequently, in our construction of ourselves. This particular show looks at the unravelling of our construction of the self through loss of memory. By using the "old", and to some obsolete, medium of calligraphy, as well as overt imagery of loss/absence (my pictures from the Pere Lachaise and Montmartre cemeteries in Paris, and Ashkeaton friary in Ireland) I'm interested in these spaces we eliminate or lose from our memories by ceasing to tell their stories, or by overwriting them with new ones.
I have used a patchwork of media – photography, calligraphy, stencil, fragmented literary references – to mimic the fragmented memory as well as the attempt to reconstruct something/anything from the remnants to understand and integrate this loss. We are used to and expect continuity in the stories of our selves, and these pieces examine what happens when this expectation of continuity is disrupted.
FMR has used a patchwork of media – photography, calligraphy, stencil, fragmented literary references – to mimic the fragmented memory as well as the attempt to reconstruct something/anything from the remnants to understand and integrate this loss. We are used to and expect continuity in the stories of our selves, and these pieces examine what happens when this expectation of continuity is disrupted.
The Chu Niikwän Artist Residency is a unique partnership between three visual arts presenters: Kwanlin Dün Cultural Centre, the Yukon Arts Centre and the Yukon Art Society. Centred around the shared goal of artistic innovation, collaboration and professional development, this 3-week paid residency invites three visual artists as well as an emerging curator to gather in Whitehorse, Yukon to develop an exhibition of new work.
Blake Lepine, or Shaá’koon, was born and raised in Whitehorse, Yukon. He is of Tlingit, Han, Cree and Scottish descent and grew up with the Tlingit culture. Blake is inspired by the old designs from carving books his mother had. Over the years, Blake has practiced and perfected his own stylized form and interpretation of this art while adhering to the traditional foundations. This gives a modern voice to an ancient art, but also carries it into modern mediums other than the traditional forms of carving and painting of his ancestors. Blake has also worked with silkscreen, design, beadwork, textile work, sewing and painted leather, collage, block printing and watercolour. Through these mediums Blake has found a way of expressing his everyday experiences and life lessons through this art. For the Chu Niikwän Artist Residency, Blake is working with silkscreened designs and silkscreened photographic images that will be combined with form line designs of Tlingit art.
Lia Fabre-Dimsdale is an emerging artist who has grown up in a variety of northern communities and now calls Whitehorse her home. Lia is Dehcho Dene from Liidlii-Kue First Nation on her father's side and French-Italian on her mother’s side. Growing up in the north has greatly influenced her artwork. She draws inspiration from the land and the plants that inhabit these environments. Lia’s work is further influenced by old French traditional-style animated films and beautifully illustrated storybooks that are from her childhood. Growing up, she learned about the famous Ghibli Studio and their films, which has also served as inspiration to the work she produces. This studio is renowned for their highly detailed, nature-inspired and hand-drawn animation. Currently, film continues to be a main source of influence on Lia’s practice. She has a strong interest in the act of storytelling. Lia is taking an organic approach to her Chu Niikwän Artist Residency and playing off of the different themes that arise during this time.
Nicole Bauberger’s art practice spans many different mediums and fields. She has a finely honed skill in oil painting that begun over a 5-year apprenticeship in the 90’s. She will use encaustic, acrylic, clay, beadwork, teabags, doilies and crochet yarn, glass, research and writing, or songs on the ukulele, as required. Nicole’s work has been exhibited in public galleries since 1999. She embraces collaboration and often works with a variety of other artists. During the Chu Niikwän Artist Residency, Nicole will be working with found pieces of glass and metal that are located near the Yukon River and her artist residency studio at the Old Fire Hall in downtown Whitehorse.
Learn more about the Residency